Interdisciplinary competencies and innovation

By Colleen Knechtel

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Colleen Knechtel (biography)

What interdisciplinary competencies are required for innovation? How can such interdisciplinary competencies be implemented to foster innovation?

Keys to stimulating innovation are cultivating interdisciplinary mindsets and skillsets. Interdisciplinary mindsets involve recognizing diverse knowledge to enable collaboration to enhance collective creativity, whereas interdisciplinary skillsets embrace relational competencies, work experiences, the sciences, humanities, trades and technologies. Integrating such diverse knowledge and skills is key to innovation.

Strategies for implementing interdisciplinary competencies

1. Recognizing prior knowledge and skills

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Navigating paradoxical tensions through both/and thinking

By Faye Miller

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Faye Miller (biography)

How can the many paradoxical tensions that arise in transdisciplinary projects be effectively navigated?

My recent research into how to produce shared understanding for digital and social innovation identifies three key tenets for navigating paradoxes as an emerging transdisciplinary method:

  1. Identifying paradoxical tensions;
  2. Moving from either/or to both/and thinking; and
  3. Working through paradoxes to workable certainty or negotiated understanding.

Identifying paradoxical tensions

A paradox involves contradictory-yet-interrelated elements that exist simultaneously, which morph, shift and persist over time. Increasing our focus on paradoxes fosters the development of creative and innovative mindsets encouraging transdisciplinary researchers to employ both logic and intuition in their approaches.

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Valuing diversity: The good, the original and the outsider

By Frédéric Darbellay

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Frédéric Darbellay (biography)

Stay in the norm, transform it or transgress it? If many researchers and teachers are comfortable in their disciplinary fold and providing good and loyal service to a well-defined epistemic community, more atypical profiles are also emerging, contributing to inter- and trans- disciplinary diversity.

I explore three complementary figures likely to cover the spectrum going from a good and respectable disciplinary worker (the Good) to the more disturbing figure of the Outsider, with the Original in between.

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Theory U: A promising journey to embracing unknown unknowns

By Vanesa Weyrauch

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Vanesa Weyrauch (biography)

How can we best live in a VUCA (volatile, uncertain, complex and ambiguous) world? How can we shift from a worldview that looks to predict and control what is to be done through plans and strategies to being present and flexible in order to respond effectively as unexpected changes take place? How can we be open to not knowing what will emerge and embrace uncertainty as the opportunity to co-create and learn?

One powerful and promising way forward is Theory U, a change methodology developed by Otto Scharmer and illustrated below. Scharmer introduced the concept of “presencing”—learning from the emerging future. The concept of “presencing” blends “sensing” (feeling the future possibility) and “presence” (the state of being in the present moment). It acknowledges that we don’t know the answers. Staying at the bottom of the U until the best potential future starts emerging requires embracing uncertainty as fertile soil.

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Why do we protect ourselves from unknown unknowns?

By Bem Le Hunte

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Bem Le Hunte (biography)

Why do very few people enjoy sitting comfortably with their unknown unknowns? Why is there an uncomfortable liminality ‘betwixt and between’ the known and unknown worlds?

How can we explore unknowns in a more speculative, playful, creative capacity, through our imaginations? How can we use lack of knowledge to learn about ourselves and let it teach us how to be comfortable and curious in the midst of unknowing?

The power and allure of unknown unknowns have long been recognised by creative practitioners as a holy grail for inspiration.

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Creative writing as a journey into the unknown unknown

By Lelia Green

Author - Lelia Green
Lelia Green (biography)

Do you use writing as a means of accessing your unconscious knowledge and understanding? The electric experience of things falling into place is a well-recorded outcome of ‘writing to find out what you want to say.’ E. L. Doctorow is credited with saying that writing a novel is “like driving at night. You never see further than your headlights, but you can make the whole trip that way” (no formal reference identifiable, but see Quotation Celebration). There is a sense of allowing the unfolding journey to deliver you to your destination, and experiencing the energy rush when you arrive. It’s a matter of relinquishing control and being open to the unexpected.

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Collaboration: From groan zone to growth zone

By Carrie Kappel

Carrie Kappel (biography)

What is the groan zone in collaboration? What can you do when you reach that point?

As researchers and practitioners engaged in transdisciplinary problem-solving, we know the value of diverse perspectives. We also know how common it is for groups to run into challenges when trying to learn from diverse ideas and come to consensus on creative solutions.

This challenging, often uncomfortable space, is called the groan zone. The term comes from Sam Kaner’s diamond model of participation shown in the figure below. After an initial period of divergent thinking, where diverse ideas are introduced, groups have to organize that information, focus on what’s most important, and make decisions in order to move forward into the phase of convergent thinking.

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Improving transdisciplinary arts-science partnerships

By Tania Leimbach and Keith Armstrong

Tania Leimbach (biography)

Collaborations with scientists have become a major focal point for artists, with many scientists now appreciating the value of building working relationships with artists and projects often going far beyond illustration of scientific concepts to instead forge new collaborative frontiers. What is needed to better “enable” and “situate” arts–science partnerships and support mutual learning?

Our research looked at the facilitation of arts–science partnerships through the investigation of two unique collaborative projects, developed at two geographically distinct sites, initiated by artist Keith Armstrong. One was enacted with an independent arts organisation in regional Australia and the other at a university art gallery in Sydney, Australia.

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Idea tree: A tool for brainstorming ideas in cross-disciplinary teams

By Dan Stokols, Maritza Salazar, Gary M. Olson, and Judith S. Olson

Dan Stokols (biography)

How can cross-disciplinary research teams increase their capacity for generating and integrating novel research ideas and conceptual frameworks?

A key challenge faced by research teams is harnessing the intellectual synergy that can occur when individuals from different disciplines join together to create novel ideas and conceptual frameworks. Studies of creativity suggest that atypical (and often serendipitous) combinations of dissimilar perspectives can spur novel insights and advances in knowledge. Yet, many cross-disciplinary teams fail to achieve intellectual synergy because they allot insufficient effort to generating new ideas. Here we describe a brainstorming tool that can be used to generate new ideas in cross-disciplinary teams.

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Embracing tension for energy and creativity in interdisciplinary research

By Liz Clarke and Rebecca Freeth

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Liz Clarke (biography)

Tensions inevitably arise in inter- and transdisciplinary research. Dealing with these tensions and resulting conflicts is one of the hardest things to do. We are meant to avoid or get rid of conflict and tension, right? Wrong!

Tension and conflict are not only inevitable; they can be a source of positivity, emergence, creativity and deep learning. By tension we mean the pull between the seemingly contradictory parts of a paradox, such as parts and wholes, stability and chaos, and rationality and creativity. These tensions can foster interpersonal conflict, particularly when team members treat the apparent contradictions as if only one was ‘right’.

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Skilful conversations for integration

By Rebecca Freeth and Liz Clarke

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1. Rebecca Freeth (biography)
2. Liz Clarke (biography)

Interdisciplinary collaboration to tackle complex problems is challenging! In particular, interdisciplinary communication can be very difficult – how do we bridge the gulf of mutual incomprehension when we are working with people who think and talk so very differently from us? What skills are required when mutual incomprehension escalates into conflict, or thwarts decision making on important issues?

It is often at this point that collaborations lose momentum. In the absence of constructive or productive exchange, working relationships stagnate and people retreat to the places where they feel safest: their own disciplines, their offices, or the colleagues who are on their ‘side’. As a consequence, prospects for meaningful collaboration and integration dwindle.

One of the difficulties of interdisciplinary collaboration is being able to express the brilliant ideas swimming around in our own heads so that they can (a) be understood by others and (b) contribute to mutual insights and integration.

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What can interdisciplinary collaborations learn from the science of team science?

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Suzi Spitzer (biography)

By Suzi Spitzer

How can we improve interdisciplinary collaborations? There are many lessons to be learned from the Science of Team Science. The following ten lessons summarize many of the ideas that were shared at the International Science of Team Science Conference in Galveston, Texas, in May 2018.

1. Team up with the right people
On the most basic level, scientists working on teams should be willing to integrate their thoughts with their teammates’ ideas. Participants should also possess a variety of social skills, such as negotiation and social perceptiveness. The most successful teams also encompass a moderate degree of deep-level diversity (values, perspectives, cognitive styles) and include women in leadership roles.

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