Using the arts to flip understanding: An arts intervention for non-arts researchers

By Margot Greenlee, Martina Jerant and Veronica Dittman Stanich

authors_margot-greenlee_martina-jerant_veronica-dittman-stanich
1. Margot Greenlee (biography)
2. Martina Jerant (biography)
3. Veronica Dittman Stanich (biography)

What do the arts bring to interdisciplinary research? Can arts practices lead STEMM (Science, Technology, Engineering, Mathematics and Medicine) researchers to new insights on their work?

We—a choreographer-and-professional-facilitator (Margot), a scientist-athlete-facilitator-entrepreneur (Martina), and a dancer-turned-arts-researcher (Veronica)—had a hunch that the arts have something to offer STEMM researchers: a different understanding of their own work.

We posited that thoughts are intertwined with actions, and when there is no opportunity to do things differently, it’s hard to think differently—to get a fresh perspective. By “actions”, we mean the practices researchers do every day as part of their work: for example, read, collect data, analyze data, present ideas in written form, revise that writing. Whatever the typical practices of a field or discipline are, as researchers train and eventually become experts in that field, its practices become habitual.

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Creative destruction

By Keith McCandless

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Keith McCandless (biography)

My favorite part of working with groups is helping people notice and stop counterproductive behavior. We all have self-limiting individual and group behaviors. Of course, they are easier to spot in others than in ourselves. So, finding seriously fun ways to help people discover for themselves what they can stop doing is important.

I use an activity called TRIZ from Liberating Structures. The purpose of TRIZ is to:

  • Make it possible to speak the unspeakable and get skeletons out of the closet
  • Make space for innovation
  • Lay the ground for creative destruction by doing the hard work in a fun way
  • TRIZ may be used before or in place of visioning sessions
  • Build trust by acting all together to remove barriers.

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Multidisciplinary perspectives on unknown unknowns

By Gabriele Bammer

gabriele-bammer_nov-2021
Gabriele Bammer (biography)

This is part of a series of occasional “synthesis blog posts” drawing together perspectives on related topics across i2Insights contributions.

How can different disciplines and practitioners enhance the ability to understand and manage unknown unknowns, also referred to as deep uncertainty?

Seventeen blog posts have addressed these issues, covering:

  • how unknown unknowns can be understood
  • exploiting unknown unknowns
  • accepting unknown unknowns
  • reducing unknown unknowns.

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Capitalising on incommensurability

By Darryn Reid

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Darryn Reid (biography)

How can we harness incommensurability as a pivotal enabler of cross-disciplinary collaboration?

Effective cross-disciplinary research across multiple traditional disparate fields of study hinges on logical incommensurability, which occurs because, in general, those ideas will have been constructed using incompatible frameworks to solve distinct problem formulations within dissimilar intellectual traditions.

In other words, the internal logical consistency of a discipline’s way of approaching problems is no guarantee of ability to be integrated with another discipline’s way of approaching problems. Incommensurability should come as no surprise to anyone involved in cross-disciplinary activities. What is pivotal here, however, is the view that incommensurability is not an obstacle to be avoided or feared but an enabler.

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Interdisciplinary competencies and innovation

By Colleen Knechtel

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Colleen Knechtel (biography)

What interdisciplinary competencies are required for innovation? How can such interdisciplinary competencies be implemented to foster innovation?

Keys to stimulating innovation are cultivating interdisciplinary mindsets and skillsets. Interdisciplinary mindsets involve recognizing diverse knowledge to enable collaboration to enhance collective creativity, whereas interdisciplinary skillsets embrace relational competencies, work experiences, the sciences, humanities, trades and technologies. Integrating such diverse knowledge and skills is key to innovation.

Strategies for implementing interdisciplinary competencies

1. Recognizing prior knowledge and skills

A ‘growth mindset’ that focuses on strengths and competencies that is grounded in transformative learning strengthens confidence, affirms lifelong learning abilities, and motivates individuals to identify and address learning gaps.

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Navigating paradoxical tensions through both/and thinking

By Faye Miller

author_faye-miller
Faye Miller (biography)

How can the many paradoxical tensions that arise in transdisciplinary projects be effectively navigated?

My recent research into how to produce shared understanding for digital and social innovation identifies three key tenets for navigating paradoxes as an emerging transdisciplinary method:

  1. Identifying paradoxical tensions;
  2. Moving from either/or to both/and thinking; and
  3. Working through paradoxes to workable certainty or negotiated understanding.

Identifying paradoxical tensions

A paradox involves contradictory-yet-interrelated elements that exist simultaneously, which morph, shift and persist over time. Increasing our focus on paradoxes fosters the development of creative and innovative mindsets encouraging transdisciplinary researchers to employ both logic and intuition in their approaches.

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Valuing diversity: The good, the original and the outsider

By Frédéric Darbellay

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Frédéric Darbellay (biography)

Stay in the norm, transform it or transgress it? If many researchers and teachers are comfortable in their disciplinary fold and providing good and loyal service to a well-defined epistemic community, more atypical profiles are also emerging, contributing to inter- and trans- disciplinary diversity.

I explore three complementary figures likely to cover the spectrum going from a good and respectable disciplinary worker (the Good) to the more disturbing figure of the Outsider, with the Original in between.

But first I want to share some reflections on how originality is (not) valued.

Originality in an uncertain world

Originality seems to be one of the supreme values of the knowledge economy, increasingly promoted in times of change and uncertainty. I, you, we all have to be original to find new solutions to old, new and future problems.

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Theory U: A promising journey to embracing unknown unknowns

By Vanesa Weyrauch

author-venesa-weyrauch
Vanesa Weyrauch (biography)

How can we best live in a VUCA (volatile, uncertain, complex and ambiguous) world? How can we shift from a worldview that looks to predict and control what is to be done through plans and strategies to being present and flexible in order to respond effectively as unexpected changes take place? How can we be open to not knowing what will emerge and embrace uncertainty as the opportunity to co-create and learn?

One powerful and promising way forward is Theory U, a change methodology developed by Otto Scharmer and illustrated below. Scharmer introduced the concept of “presencing”—learning from the emerging future. The concept of “presencing” blends “sensing” (feeling the future possibility) and “presence” (the state of being in the present moment). It acknowledges that we don’t know the answers. Staying at the bottom of the U until the best potential future starts emerging requires embracing uncertainty as fertile soil.

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Why do we protect ourselves from unknown unknowns?

By Bem Le Hunte

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Bem Le Hunte (biography)

Why do very few people enjoy sitting comfortably with their unknown unknowns? Why is there an uncomfortable liminality ‘betwixt and between’ the known and unknown worlds?

How can we explore unknowns in a more speculative, playful, creative capacity, through our imaginations? How can we use lack of knowledge to learn about ourselves and let it teach us how to be comfortable and curious in the midst of unknowing?

The power and allure of unknown unknowns have long been recognised by creative practitioners as a holy grail for inspiration. Borges wrote in The Library of Babel about a fictitious library where all books ever written existed together, but this library turns to a dystopia as the reader discovers that “the certainty that everything has already been written annuls us, or renders us phantasmal.”

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Creative writing as a journey into the unknown unknown

By Lelia Green

Author - Lelia Green
Lelia Green (biography)

Do you use writing as a means of accessing your unconscious knowledge and understanding? The electric experience of things falling into place is a well-recorded outcome of ‘writing to find out what you want to say.’ E. L. Doctorow is credited with saying that writing a novel is “like driving at night. You never see further than your headlights, but you can make the whole trip that way” (no formal reference identifiable, but see Quotation Celebration). There is a sense of allowing the unfolding journey to deliver you to your destination, and experiencing the energy rush when you arrive. It’s a matter of relinquishing control and being open to the unexpected.

Australian novelist Helen Milton Bastow described an equivalent revelation. A fiction writer, Bastow had avoided researching Indigenous stories about the places of her childhood in case they overly influenced her own story telling. One day, however, she was on an eco-trail in the Coorong, South Australia, when she happened upon an information display about the local Indigenous dreamtime:

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Collaboration: From groan zone to growth zone

By Carrie Kappel

Carrie Kappel (biography)

What is the groan zone in collaboration? What can you do when you reach that point?

As researchers and practitioners engaged in transdisciplinary problem-solving, we know the value of diverse perspectives. We also know how common it is for groups to run into challenges when trying to learn from diverse ideas and come to consensus on creative solutions.

This challenging, often uncomfortable space, is called the groan zone. The term comes from Sam Kaner’s diamond model of participation shown in the figure below. After an initial period of divergent thinking, where diverse ideas are introduced, groups have to organize that information, focus on what’s most important, and make decisions in order to move forward into the phase of convergent thinking.

Navigating that transition between divergent and convergent thinking is the realm in which creativity and innovation emerge, if we let them.

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Idea tree: A tool for brainstorming ideas in cross-disciplinary teams

By Dan Stokols, Maritza Salazar, Gary M. Olson, and Judith S. Olson

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1. Dan Stokols (biography)
2. Maritza Salazar (biography)
3. Gary M. Olson (biography)
4. Judith S. Olson (biography)

How can cross-disciplinary research teams increase their capacity for generating and integrating novel research ideas and conceptual frameworks?

A key challenge faced by research teams is harnessing the intellectual synergy that can occur when individuals from different disciplines join together to create novel ideas and conceptual frameworks. Studies of creativity suggest that atypical (and often serendipitous) combinations of dissimilar perspectives can spur novel insights and advances in knowledge. Yet, many cross-disciplinary teams fail to achieve intellectual synergy because they allot insufficient effort to generating new ideas. Here we describe a brainstorming tool that can be used to generate new ideas in cross-disciplinary teams.

The idea tree exercise

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