Conceptual modelling of complex topics: ConML as an example / Modelado conceptual de temas complejos: ConML como ejemplo

By Cesar Gonzalez-Perez

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Cesar Gonzalez-Perez (biography)

A Spanish version of this post is available

What are conceptual models? How can conceptual modelling effectively represent complex topics and assist communication among people from different backgrounds and disciplines?

This blog post describes ConML, which stands for “Conceptual Modelling Language”. ConML is a specific modelling language that was designed to allow researchers who are not expert in information technologies to create and develop their own conceptual models. It is useful for the humanities, social sciences and experimental sciences.

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Scatterplots as an interdisciplinary communication tool

By Erin Walsh

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Erin Walsh (biography)

Scatterplots are used in many disciplines, which makes them useful for communicating across disciplines. They are also common in newspapers, online media and elsewhere as a tool to communicate research results to stakeholders, ranging from policy makers to the general public. What makes a good scatterplot? Why do scatterplots work? What do you need to watch out for in using scatterplots to communicate across disciplines and to stakeholders?

What makes a good scatterplot?

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Skilful conversations for integration

By Rebecca Freeth and Liz Clarke

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1. Rebecca Freeth (biography)
2. Liz Clarke (biography)

Interdisciplinary collaboration to tackle complex problems is challenging! In particular, interdisciplinary communication can be very difficult – how do we bridge the gulf of mutual incomprehension when we are working with people who think and talk so very differently from us? What skills are required when mutual incomprehension escalates into conflict, or thwarts decision making on important issues?

It is often at this point that collaborations lose momentum. In the absence of constructive or productive exchange, working relationships stagnate and people retreat to the places where they feel safest: their own disciplines, their offices, or the colleagues who are on their ‘side’. As a consequence, prospects for meaningful collaboration and integration dwindle.

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Language matters in transdisciplinarity

By Tilo Weber

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Tilo Weber (biography)

Why should transdisciplinarians, in particular, care about multilingualism and what can be done to embrace it?

From a linguist’s point of view, I suggest that, in a globalized world, a one language policy is not only problematic from the point of view of fair power relations and equal participation opportunities, but it also weakens science as a whole by excluding ideas, perspectives, and arguments from being voiced and heard.

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Producing evaluation and communication strategies in tandem

By Ricardo Ramírez and Dal Brodhead

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1. Ricardo Ramírez (biography)
2. Dal Brodhead (biography)

How can projects produce evaluation and communication strategies in tandem? Why should they even try? A major benefit of helping projects produce evaluation and communication strategies at the same time is that it helps projects clarify their theories of change; it helps teams be specific and explicit about their actions. Before returning to the benefits, let us begin with how we mentor projects to use this approach.

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Interdisciplinarity and evil – Understanding incommensurability

By J. Britt Holbrook

J. Britt Holbrook (biography)

Incommensurability is a recognized problem in interdisciplinary research. What is it? How can we understand it? And what can we do about it?

What is it?

Incommensurability is best illustrated by a real example. I once co-taught a class with a colleague from another discipline. Her discipline depends on empirical analysis of data sets, literally on counting things. I, on the other hand, am a philosopher. We don’t count. One day she said to our students, “If you don’t have an empirical element in what you’re doing, it’s not research.” I watched the students start nodding, paused for half a beat, and volunteered, “So, I’ve never done any research in my entire career.” “That’s right!” she replied, immediately, yet hesitating somewhere between a discovery and a joke.

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Five principles of holistic science communication

By Suzi Spitzer

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Suzi Spitzer (biography)

How can we effectively engage in the practice and art of science communication to increase both public understanding and public impact of our science? Here I present five principles based on what I learned at the Science of Science Communication III Sackler Colloquium at the National Academy of Sciences in Washington, DC in November 2017.

1. Assemble a diverse and interdisciplinary team

  1. Scientists should recognize that while they may be an expert on a particular facet of a complex problem, they may not be qualified to serve as an expert on all aspects of the problem. Therefore, scientists and communicators should collaborate to form interdisciplinary scientific teams to best address complex issues.
  2. Science is like any other good or service—it must be strategically communicated if we want members of the public to accept, use, or support it in their daily lives. Thus, research scientists need to partner with content creators and practitioners in order to effectively share and “sell” scientific results.
  3. Collaboration often improves decision making and problem solving processes. People have diverse cognitive models that affect the way each of us sees the world and how we understand or resolve problems. Adequate “thought world diversity” can help teams create and communicate science that is more creative, representative of a wider population, and more broadly applicable.

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Three tasks for transdisciplinary bridge builders

By Roderick J. Lawrence

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Roderick J. Lawrence (biography)

Human groups and societies have built many kinds of bridges for centuries. Since the 19th century, engineers have designed complex physical structures that were intended to serve one or more purposes in precise situations. In essence, the construction of a bridge is meant to join two places together. What may appear as a mundane functional structure is built only after numerous decisions have been made about its appearance, cost, functions, location and structure. Will a bridge serve only as a link and passage, or will it serve other functions?

In discussing three things the transdisciplinary research community can do to build bridges, I use “building bridges” as a metaphor. I discuss a bridge as a human-made artefact that is attributed meaningful form. It is created intentionally for one or more purposes.

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What’s in a name? The role of storytelling in participatory modeling

By Alison Singer

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Alison Singer (biography)

That which we call a rose,
by any other name would smell as sweet.

That Shakespeare guy really knew what he was talking about. A rose is what it is, no matter what we call it. A word is simply a cultural agreement about what we call something. And because language is a common thread that binds cultures together, participatory modeling – as a pursuit that strives to incorporate knowledge and perspectives from diverse stakeholders – is prime for integrating stories into its practice.

To an extent, that’s what every modeling activity does, whether it’s through translating an individual’s story into a fuzzy cognitive map, or into an agent-based model. But I would argue that the drive to quantify everything can sometimes make us lose the richness that a story can provide.

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Sharing integrated modelling practices – Part 2: How to use “patterns”?

By Sondoss Elsawah and Joseph Guillaume

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1. Sondoss Elsawah (biography)
2. Joseph Guillaume (biography)

In part 1 of our blog posts on why use patterns, we argued for making unstated, tacit knowledge about integrated modelling practices explicit by identifying patterns, which link solutions to specific problems and their context. We emphasised the importance of differentiating the underlying concept of a pattern and a pattern artefact – the specific form in which the pattern is explicitly described.

In order to actually use patterns to communicate about practices, the artefact takes on greater importance: what form could artefacts describing the patterns take, and what mechanisms and platforms are needed to first create, and then share, maintain, and update these artefacts?

While the concepts of ‘problem, solution and context’ should be discussed in some way, there is no single best way of representing patterns as artefacts. The form of artefacts will differ depending on many factors, including how the users perceive the ease of:

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Sharing integrated modelling practices – Part 1: Why use “patterns”?

By Sondoss Elsawah and Joseph Guillaume

authors_sondoss-elsawah_joseph-guillaume
1. Sondoss Elsawah (biography)
2. Joseph Guillaume (biography)

How can modellers share the tacit knowledge that accumulates over years of practice?

In this blog post we introduce the concept of patterns and make the case for why patterns are a good candidate for transmitting the ‘know-how’ knowledge about modelling practices. We address the question of how to use patterns in a second blog post.

In broad terms, a pattern links a solution to a problem and its context. As a means of externalizing understanding of practices, the concept has been used productively in various fields, including architecture, computer science, and design science. For a more general introduction to patterns, see Scott Peckham’s blog post. While a “pattern” is ultimately a simple idea, there tends to be disagreement about a precise definition. This poses a problem for this blog post.

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Looking for patterns: An approach for tackling tough problems

By Scott D. Peckham

Scott D. Peckham (biography)

What does the word ‘pattern’ mean to you? And how do you use patterns in addressing complex problems?

Patterns are repetitions. These can be in space, such as patterns in textiles and wallpaper, which include houndstooth, herringbone, paisley, plaid, argyle, checkered, striped and polka-dotted.

The pattern concept can also be applied to repetitions in time, as occur in music. Those who know the temporal patterns can classify a piece of music as a blues, waltz or salsa. For each of these types of music, there are also classic dance steps, that usually go by the same name; these are patterns of movement in space and time.

These examples get to the idea that patterns can be viewed more generally as any type of repetitive structure or recurring theme that we can look for and potentially recognize or discover and then assign a memorable name to, such as “houndstooth” or “waltz”.

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